I’m not an advocate of carving names or initials into tree trunks but I often document them. I initially read the first as USA but I think it is in fact LISA. These four examples are from the Lake District.
Each is a 6 x 9 inch platinum/palladium print made using the 19th century platinum printing process. Shot with a digital SLR each image was processed in photoshop to produce a negative which was then printed on Pictorico OHP transparency film. The final prints were made on Bergger COT-320 paper.
© Simon Howlett 2019. All rights reserved
Simon Howlett Photography 
Amazing how so many feel the need to put their names onto all kind of surfaces…and yes, interesting to read and sometime so moving too.
I agree Paula. With the history of graffiti going back thousands of years I think someone leaving a trace of their presence is a remarkable gift to all of us who follow.
I particularly liked the examples I came across when visiting tunnels on the Western Front a few years ago as well as the traces left by people who lived along Hadrian’s Wall.
War related scrawlings must be very moving to see in situ. I found the graffiti in the Tower of London to be the most astonishing I’ve ever seen, particularly for the fact no one ever thought to remove it.
Yes, it’s very fortunate that these historic examples of graffiti are still with us. An extraordinary and lasting reminder of those who preceded us.
Interesting idea for a photo study – I bet most of those were smooth-barked beeches! I think the only time I’ve done that was in the sand in the desert when I was in love with a Beduin!
Yes Carol, beech trees in Penny Rock Wood near Grasmere.
I’m intrigued about your adventures in the desert! You’ll have to tell me all about it when we go on the Grayrigg walk.
remind me to tell you about the ‘phrase book’ argument when we split up – that was hilarious (in retrospect anyway)
What a wonderful idea for a series of photos. Imagine all the histories behind that. wow.
Thank you Markus. Would be nice to discover the stories behind these inscriptions. Perhaps one of the authors will stumble upon my blog and recognise their handiwork.
imagine that.. …that would be great if one find his carving at your blog.. …and you will know the whole story.
I don’t care for the practice either. But as you have shown they can make very interesting subjects. I love your collection! We get a lot of carving on aspen trees here, by tourists I assume. Sometimes I don’t mind the carvings being in my scene and sometimes I do.
Thanks Denise. I’ve been documenting these for many years now so have quite a number to choose from. I really enjoy making the prints.
I agree with others that it’s a strange practice to deface trees – and other things- although I am fascinated by this, street art and graffiti. You’ve made some beautiful images of them, Simon, and it’s a great idea for a project. Thanks for following me, too. 🙂
Thanks Jane, it’s surprising how many trees have been marked like this. And thanks for following me too, I really appreciate it 🙂
Very interesting project. Simply nothing like the tonality of Platinum/Palladium.
It’s a great process to work with. Haven’t made any prints this year but hoping to get back into it in the not too distant future.